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LETSBELLYDANCE
  • Home
  • Sara
    • Gallery
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    • Terms and Conditions
    • FAQ
    • Friday page >
      • Mr
  • Books
  • Workshops
    • Taster/beginner workshops
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    • Premier Performers
    • Make up
  • Blog
  • Contact/Media
    • Media
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LETSBELLYDANCE

How to get an Amazing Performance Photo - Cheat!

2/28/2018
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A fabulous performance picture can do wonders for a belly dancer's career.  Put it on a business card, or add it to your web site, to get more high quality bookings or new students.  Add it to social media, and get invites to top class events.  Even though its just a moment in time, it shows off your dancing, performing and entertainment abilities.... or does it?
Just like every entertainer, we excel at the art of illusion.  We ask the viewer to see what we want them to see....Only we know the diamonds are paste..... our shimmies are not an expression of our emotions, so much as a reflection of the hours we drilled them infront of the mirror... And our photo was not actually caught mid performance...
For years I wanted an amazing on-stage, performance picture.  Yet all I got was photos like the one above on the left.  I look like a six eyed monster trying to lasso the audience.  Then I found out the secret - those performance photos of the stars.... all is not what it seems.
Because I am all about sharing the good news, here are four ways to get a fabulous performance photo ! (clue - they are all cheats!)

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Photo Credit: Alisha Westerfeld
1. 
​Write moments of stillness into your choreographs.  I think this is essential if you want photos of your troupe on stage.  While you shouldn't plan your whole choreography around the photos, you can add a few moments of pose where no one will notice.  For instance between tracks, before the music starts or before the final bow.  Talk to your photographer before the performance and tell them when to expect the photo ops.  Better still, send them a video of your practice and shout "now" during the filming.  It is also important that you tell your troupe to pose for their photo at these points in the performance.  You want a full smile and perfect posture.  Its not the time for one of them to scratch an itch !

In this photo my troupe, Neshee Dolu, have a pause during the opening of their veil dance at Rakkasah 2016

2.
​Turn up early for the sound check.  While you should check with your host or hostess, most venues are open a few hours before a show to set up lights, check on the sound system and generally get ready for the big event.  Don't get in the way of the serious work that needs to happen, but ask if you can arrive early and take advantage of the stage area for a few quick photos.  Its the perfect time to check your make up and costume will work under the stage lights.  You can also ask your photographer to take a few moments to work out the perfect spot for your photographs.  

​In this photo Poppy Maya took advantage of the live band playing to the audience to the right, and the flowers that had been set up for a wedding the next morning.
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Photo Credit : Alisha Westerfeld
3. 
​Hire your own venue.  While this may sound expensive, consider your local venues and how you can frame them in a photo.  Does your local community center have a stage?  Maybe you could use the band stand at your local park, or even the beautiful floor to ceiling curtains at a local hotel.  Talk to your venues about being flexible in your timing.  Perhaps you can visit the local golf club the day after a big wedding and take advantage of the decor before it is removed on Monday morning.
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This beautiful stage is actually part of a cabana !  We hired it for an hour, brought our own lighting set up and Poppy Maya played with her wings on the stage.  She repeated a couple of combos so that her photographer could anticipate her moves and get the shot of the wings in motion.  We loved this final photo so much it ended up as a full page in "Becoming a Belly Dancer"

4. 
​Fill a restaurant with your friends and family.  You have no idea how much a restaurant will love you if you book a table for twelve friends at their usual quiet time!  They will be more than happy to let you pose for the perfect picture.  Visit them first to find out when your venue will be quiet and assess which table you can book to cause the least chaos around you.  If they have a room with just one or two tables, or a T shaped room, ask if you can have that whole area.  Tell them what you want to do and ask their permission ahead of time.  Make sure to follow up with an email, so you have a paper trail in case the staff on duty question what you are doing.  Pack your friends and family into the background and pose away!  Don't forget that you all need to buy dinner - and be prepared to be generous in your tipping !  We used this method extensively for photo shoots for both "Becoming a Belly Dancer" and "Teaching Belly Dance"

​In the photo, right, Basinah dances with the owner of House of Kabobs in Sunnyvale, CA for a photo for "Teaching Belly Dance".  The audience includes my husband and lots of other friends and family !
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Photo Credit: Alisha Westerfeld.  


Tiny Tips:
  • Find your light - not all areas of the stage are lit equally.  Check out the light pattern on the floor to work out where to stand to get the best light.  You are most likely to be lit from above on a stage, so be aware that your nose, chest and tummy may cause shadow.  "Bathe" in your light, so all your best parts catch the glow!
  • Never ask your photographer to use flash photography during a performance.  The flash can blind you.  Equally don't use a flash at the side of the stage.  The audience will be able to see it.
  • "Behind the scenes" photos should always be done with the permission of everyone in the room.  Just as you shouldn't take photos in the restroom, don't take photos in changing rooms or any area that people may be changing.  Be aware of mirrors and accidentally including others in your backstage photos.
  • Check out the background before you plan your photos.  A rip in the backdrop, or fire exit can spoil the shot.  Take a minute to look around and check for minor problems that you can fix before the photo is taken.
  • Use Photoshop wisely !  Editing software is great for adjusting the light, picking out the colors in your costume, and removing the gum from the floor..... however, performance shots can loose their appeal if you brush up everything.  Softening your skin, enhancing your curves, and elongating your lines are all great in more glamorous stills, where you are aiming for a dream like quality.
  • In performance you will naturally pull faces,  your hair will fall out of place and your costume will create creases.  All of these can add character to your photos.  When picking out your top five, keep one or two that are not traditionally perfect, but that reflect who you really are.

My dear friends Dawn Devine and Alisha Westerfeld are starting to build a reputation for sneaking a selfie onto the stage.  This performance was a comedy number at a light-hearted event.  It was the perfect punchline for this occasion.  Usually, selfies are not a suitable way to get get an on stage performance photo......
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I hope you enjoyed a look behind the scenes of some of our performance photo shoots ! - feel free to add your own "Performance" photos to the comments and let us know how you got the shot !

There are thousands more great tips like this for the aspiring belly dancer in"Becoming a Belly Dancer: From Student to Stage".  We took all our combined knowledge and shattered the illusions so that the belly dancers of the future can skip the potholes and move on their careers!

"Becoming a Belly Dancer: From Student to Stage" is a stagecraft handbook for belly dancers and its available now from Amazon:  
Sara's Books on Amazon
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Photo Credit : Dawn Devine
Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and levels.  Both are available on Amazon.

If you like this blog, go back to the blog page, for others you might like including:
Holiday Music for Class
Dealing with Difficult StudentsTeacher Knows Best
Are you Ready Teach Belly Dance ?
Or check out these Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
​
1 Comment

Preparing a bio ahead of time!

3/23/2017
You are standing backstage, all dressed up, warmed up and ready to hit the stage, when the MC approaches and asks you how you would like to be introduced.  Your mind goes blank !  "Erm, just say I am the belly dancer...." you reply.

​As they walk away you know what is about to happen.  The MC will use one of the dreaded phrases everyone says about belly dancers:

"Now we have something a bit different..."
"Sara is going to do a super sexy dance for all you gentlemen..."
"All the way from the mysterious Orient...."
"Who is afraid of earthquakes?, because we are about to shake things up..."

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You never get a second chance at a first impression, and the MC just blew that for you.  What you needed was a postcard with your bio, ready and prepared ahead of time.  Here is my advice : Every time you burn a CD or set up a play list, add your bio to your bag or the CD case.  Write it today, and update it annually, but keep it in your kit bag, ready for every performance.
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What should you write ?
There are two essentials that you must add to every bio:
  • Who are you?
  • Why are you here?
The answer to these questions should be easy - "Sara Shrapnell is a belly dancer"

(You may prefer "Turkish belly dancer" or "Fusion belly dancer".  If your audience is the general public, belly dancer will do.  If your audience are mostly other belly dancers, add more details to your description such as "Sara Shrapnell is inspired by belly dancers of the golden age of Egyptian belly dance.")

"Sara Shrapnell is a belly dancer" is a little on the simple side.  Yep, they got my name and why I am entering the stage, but I don't sound very exciting...  As we have time right now, lets try and turn that intro into three or four fascinating sentences.

This is a good moment to focus on perfecting the "elevator pitch".  Its a couple of sentences that tell others all about you or your project.  Do you teach, love to perform, are you the youngest, oldest, world record holding, award winning or new in town?  What makes you memorable or stand out from the crowd?  

I like to use the triple threat "Writer, Teacher, Performer."
 
"Award winning" is always good, but remember, you should be able to back up all your claims.  If you are "award winning", what is your award?  Do you have the award at home? Can they google the competition ? If you hold a record, be prepared to share a link to the web site.  Much better to pick a phrase that doesn't need proof, like "Enchanting", "Captivating" or "Beautiful".  From a marketing point of view alliteration is always appealing (wink) - "Bella the Beautiful Belly Dancer!"  Have a try and see what works best with your name.  

Its always hard to write nice things about yourself.  If you are having a problem with finding the right words, ask your teacher, classmates or fans for feedback.  Do they think you are the queen of shimmies, or are they amazed by your back bends.  Ask others to point out your strengths and see how you can work them into your bio.

Ask yourself what you want the audience to do, now they know who you are.  Perhaps you want them to sign up to your classes, or come back to the venue next week.  If you are at a belly dance event, do you want the audience to buy your book, visit you at your booth, attend your workshop....

 "Sara Shrapnell is a belly dance writer, teacher and performer.  She is inspired by belly dancers of the golden age of Egyptian belly dance.  Find her books on belly dance at her booth by the rest rooms."

 "Sara Shrapnell is a belly dance writer, teacher and performer.  She is teaching a workshop later this afternoon on improvisation and adding emotion to your dance.  You can sign up on the door for just $15."

​"Sara Shrapnell is a belly dance writer, teacher and performer.  She has taught over 5,000 belly dance classes, and her new beginner course starts next Wednesday."

If you are in the business of belly dance, don't be afraid of a little self promotion!

​Dawn Devine has a super tip: print out your bio on a sticky label.  Then when you are at the event you can add your bio to whatever form or system the MC prefers.  Sometimes its all postcards, othertimes they have a notebook.  A sticky label works for everyone.

Finally, to save time, keep a folder on your computer with all your bios - short ones for events, medium ones for programs and blogs, long ones for events and your own web site.  When you have a request for a bio, you can simply update an old one, rather than start over.

Biographies tell others about you, your skills and what to expect in the performance.  Take a few moments now to create a bio that ticks all the boxes, and never leave it to the MC again !

​Check out my medium bio below !
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Sara's books on Amazon
​Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 5,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and levels.  Both are available on Amazon.

Sara also teaches through the Belly Dance Business Academy.  This online resource includes lessons, classes and workshops for belly dance professionals.  Check out her most recent workshop "52 Lesson Plans - And How to Write 5,000 More."

Sara's courses on B D Business Academy
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​If you like this blog, go back to my blog page and check out some others like:

I'm Perfect for Belly Dance (and so are you)
Why Belly Dancers need to Walk the Line
Teaching Belly Dance: Making Corrections
Being Part of the Solution

Or these Hubposts:
​"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"


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2 Comments

That Moment When...

1/4/2017
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If you regularly read my blog, you will know I have a love/hate relationship with publishing my work.  I would much rather dance infront of 1,000 people, or teach a room full of strangers than share my writing.  I mean, you have read my novel, right?  Oh no, only about 20 people have ever read my novel, because I'm terrified of sharing it !! (It has rude bits!)  

However, I do love writing.  That feeling of loosing yourself for 5,6,7 hours as the words come tumbling out and the pages grow like knitting, forming themselves into ideas, concepts and dreams.  Its addictive.  For the last five years I have mostly written about belly dance, and so my two passions have collided.  But the problem with writing all day, every day, is that at some point you have to share your words with the world.  I am hugely blessed to have lots of great people in my life who can read and assess my writing.  Poppy Maya (The Awesome Poppy Maya as she is known), is always ready to review the quality of my work.  I can turn to Dawn Devine for resources, research and validation, plus she understands sentance structure and can turn my words from a C minus to an A plus.  Alisha Westerfeld thinks in images, and helps bring my ideas to life, and I have a team of pro and not so pro editors who tidy up the chaos I produce.
This week has been a bit of a wake up.  Firstly I had someone email me about a chapter in "Teaching Belly Dance".  The message was "On page XX you say this, but do you really mean that?".  I knew what advice I would give her, but I also had to go back and check that I was agreeing with myself.  It was kind of surreal.
"Becoming a Belly Dancer" has been for sale about a month now, and the Kickstarter backers are getting their copies.  To begin with it was all about the "Cheesie pics", but now the reviews are coming in and people are starting to quote the book back at me.....  Today it suddenly hit me: People are reading the words!  This last year has been so focused on the editing, formatting, pictures and layout.... I sort of forgot about the words.  The words are my way of sharing my love of belly dance with the world, and now they are out there, flying free like butterflies and landing all over the place.  
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Excuse me if I blush and hide for a couple of days.  I'll just be here, at the computer, for the next five hours.... writing something that people might someday read !
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Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and levels.  Both are available on Amazon.
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Sara's Books on Amazon
 If you like this blog, go back to my blog page and check out some others like:

I'm Perfect for Belly Dance (and so are you)
Why Belly Dancers need to Walk the Line
Teaching Belly Dance: Making Corrections
Being Part of the Solution

Or these Hubposts:
​"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
0 Comments

Counting my (Belly Dance) Blessings

12/28/2016
At this time of year I take a short break from belly dance.  Its been two weeks since my last class, three since I performed, and I'm starting to miss my true dance love.  I have been belly dancing for 25 years, full time for the last 17.  I write about belly dance every day.  I teach three times a week, and practice each week day.  Most weekends I attend or perform at events.  If you are reading this, you are probably the same.  Belly dance is addictive and it attracts the most wonderful, caring, loving and interesting people to its world.
You may have noticed a little wave of negativity washing through these last few weeks. You can blame the stars, or the internet, Gen X or boredom, but its not how I see belly dance.  Belly dance has been a huge blessing in my life and I would like to take a moment to count them.  Feel free to join me, either in the comments below, or in your own blog or posting.  Lets make the last few days of 2016 a wonderful moment of giving thanks to the dance that brought us together.  In no particular order....
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1, - Friends.  I have thousands of "Friends" on FB, and many of them have turned into real friends.  Every time I attend an event, I look out for people I know through FB and connect with them, so I can meet them in person.  I never walk into a workshop without a familiar face, even if its on the other side of the world.  I can have coffee, or a meal, with fascinating people, no matter where I am in the world.  We always have something to talk about.  Belly dance has also introduced me to people that I consider family.  Half of my Christmas cards were sent, with love, to families that I would never have met if not for belly dance.  As someone who lost her mother way too young, I am lucky to have a place to spend time with older ladies.  I love to chat and spend time with ladies of my Mum's generation.  Without belly dance I wouldn't have so many wise women in my life.  Finally, having a wide range of friends has made me open to new ides and taught me about the world.  Belly dancers cover the whole range of political views, the gender spectrum, all ages, classes, ethnicity and religions.  I have belly dance friends who can share incites into their lives, and others who are simply happy to dance by my side.  thank you belly dance friends, you are a blessing.

2, - Exercise.  Belly dance has kept me fit for the last 25 years.  It might not be the hardest workout, but it raises my heart rate, produces a "glow" and keeps me moving every day.  Because I can dance for 5 minutes of 55 minutes, its easy to fit into the busiest routine.  Touch wood, I have never had a serious injury through dance, but I have danced through injury.  When I hurt my ankle, I was still "chair dancing" every day.  At 47, I am at that age where my non belly dance friends are starting to drop out of sports and exercise due to injuries.  Yet, we regularly see belly dancers in their 70's, 80's and 90's still taking to the stage.  Thank you belly dance for being the perfect form of exercise.
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Sweeping up before class - the "teacher warm up"!
3, - Income.  It might be taboo, but I am hugely grateful that belly dance has been my main form of income for 17 years.  At first I taught multiple classes, and more recently, I make a living through selling my belly dance books.  I feel hugely blessed that so many people value my time, energy and thoughts enough to spend their hard earned cash.  Perhaps their class time is the best hour of their week, or snuggling up with one of my books is the highlight of their day.  People also pay me for the on line lessons, workshops and mentoring.  If you ever paid me for anything, I am truely thankful, and I hope you felt it was worth every penny!
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4, - Family.  Not many people know, but my Mum used to belly dance.  Unfortunately she was very ill for a long time, but it gave us a common topic to discuss.  When she could no longer dance she acted at MC at my events.  My daughter is also a professional belly dance performer.  When my children were younger, they attended lots of events, helped out with loading and unloading the venue, lighting, sound and hosting.  I think it has influenced them all in different ways.  Now they are older they help with tech support and marketing advice.  I am very thankful that my job is a family business and that they can all get involved.

5, - Performances.  I am not one of those people who only goes to shows if I have a performance slot.  I love to see belly dance performances of all levels at any venue.  If I have an evening at home you may well find me surfing YouTube to feed my addiction.  I dont care what your style is, I just want to see good dancing, a pretty costume, some stage craft and an interpretation of the music.  I flip between the golden age classics to art that scares or upsets me, I enjoy the folk dances, Tribal Fusion, and glamorous theater productions.  I am lucky enough to live in the SF bay area, which means I can see a show (or five) every Saturday night.  I am lucky that I get to pick and choose, dress up, meet friends, and see wonderful performances whenever I want.
6, - Music.  Just as I love every kind of belly dance, so I love all the music that comes with it.  I enjoy a great live band, or a single drummer.  I am lucky enough that my music collection is now so big that I can play anything, anytime, to suit my mood, my dancing or my surounding.  I would like to take a moment to thank those of you who have taken the time to record music for belly dancers, or to play at an event, or to teach a workshop about the depths and meanings of the classic tunes.  Belly dance has given me the soundtrack to my life.
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7, Confidence.  For me, this goes beyond the confidence to walk onto a stage and present a dance that I have spent 10 months working on.  There is a confidence that comes from being surounded by brave, bold, beautiful, strong and intelligent people.  When you take part in a show and see others project the pain and upset of a recent break up into a performance, or see the lady who just lost her job suck it up and spread joy to the very back row, it emboldens you to put your shoulders back and believe that anything is possible.  Knowing that others may like your work, also gives you the confidence to truely assess the critisims that always come with presenting art.  When I see one of my books in the hands of a new reader, I still hope that they like it - we all want to be liked.  But belly dance gave me the confidence to write those books, because I love it so much that I have studied it in depth, talked to experts and drawn my own conclusions.  I am an expert.  How is that for confidence !!

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8, - Beauty.  Without belly dance I would never had said that I was beautiful. That is really sad.  I still have days when I dont like parts of my body, but they are very few and far between.  When did it become acceptable for woman to be modest about their beauty?  Belly dance has given me a body with lots of curves.  It can shimmy and strut, slide and glide and sometimes it can even do some really complex foot patterns !  I have also learnt what colors suit me, how to wear my hair, I have some pro make up technique and, just in the last few years, I have learnt how to pose for the camera.  I can turn heads just from excellent posture.  Surrounding yourself with beautiful people, not only gives you the tools, it also helps you to see your inner beauty.  The belly dance world is full of people who give unconditionally, love and share without expectation.  Every week we set up in the changing room and see a dozen "normal" people blossom into stunningly beautiful creatures.  Knowing you are beautiful is a powerful thing.  

9, - Knowledge.  I am lucky that I have had the time, energy and money to travel in order to take workshops from some of the greatest minds in belly dance.  I am also very privileged to have met many wonderful belly dancers who have taken the time to talk to me, share their ideas, send me books, write me essays or simply ask me questions.  I am not the scholarly type.  I struggle to take notes and to find my references.  Dance is a physical medium, we share our history, stories, hopes and desires through movement.  I have collected that knowledge too.
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10, - Students.  I have been abundantly blessed with students.  Back when I lived in the UK, I had a different class on every day of the week, and each of them had a totally different vibe.  They were all filled with wonderful people, who chose to spend their precious spare time with me.  Even when I had to move away, many of them chose to keep in touch, and they still share their videos, photos and dance journey with me.  Now I live in the US, I have less classes, but more time to spend in preparing each of them. My US students have taught me all about America, and never laugh at my funny accent.  I have been blessed with a troupe of ridiculously talented dancers, who let me challenge them with choreography that is way beyond my ability.  They are committed, engaged and ambitious - which means they drive me to be the same.  

When we love something as much as we all love belly dance, its easy to get passionate.  Passion can build bridges, or it can tear them down.  The world of belly dance is very small.  We are not a rich, sucessful and popular industry.  I think we are in a growing stage, and most of us would agree that we have to build our student bases, or audiences and our standards in order to make belly dance accessable to more people and keep dancers and teachers employed.  We do that best by being welcoming, sharing knowledge, sharing students, sharing performance opportunties and praising the skills we see in others.  I contributed to our last book "Becoming a Belly Dancer" for a very selfish reason - I want to see great belly dance in my retirement!
If you would like to add to my list of belly dance blessings, please feel free to add to the comments below, post on FB or write a blog of your own.  - Sara x

Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and levels.  Both are available on Amazon.
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Sara's books on Amazon
 If you like this blog, go back to my blog page and check out some others like:

Teacher Knows Best
Dealing with Difficult Students
I'm Perfect for Belly Dance (and so are you)
Why Belly Dancers need to Walk the Line
Teaching Belly Dance: Making Corrections
Being Part of the Solution

Or check out my Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
0 Comments

Holiday music for class

12/11/2016
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AT THIS TIME OF YEAR, we all want to do something to celebrate the holiday season.  One of the easiest things you can do to get your class into the festive spirit is to mix in some festive music to your lesson plan.  I've saved you from hours of surfing, by finding my top danceable, festive tunes.  Enjoy !


1, Rocking around the Christmas tree.  Perfect for a warm up and to get your class off to a festive start.  Give me some "step tap" with lots of layers!
2, Let it snow.  Who can resist the voice of Dean Martin?  Perfect for some non traditional snake arms or figure 8s!  or how about a short repeating combo ?
3, Last Christmas.  If anything says December in the UK in 1980 something its "Last Christmas".  Did you love George or the other one? (Andrew - don't say you'd forgotten!)  This tune has everything, a nice beat for hip drops, an emotional melody for showing off your acting skills.  Who could want anything more ?  And it has to be Wham - dont fall for Taylor Swifts charms...
4, Merry Christmas Baby.  If you want something a bit more Ooooey, Goooey for you class, I suggest this Otis Redding classic.  You still have a regular beat, and those sleigh bells, so its also perfect for layering and interpretation, but let your liquid moves shine through.
5, Walking in a Winter Wonderland.  Its time for something a little more "rockin".  While rockin might not be your first thought when you think of Walking in a Winter Wonderland, I would like you to consider dancing to Selena Gomez's version.  I can see some great fusion happening - even if it kind of sounds like she hired a group of 14 year olds to play for her...
6, Santa Baby.  If there is one number that is just crying out to be performed by your belly dance class, it has to be this classic by Eartha Kitt.  Not even Santa could resist !
7, Sleigh Ride.  If your students arn't the Santa Baby types, why not consider the Karmin version of Sleigh Ride?  It has a great slow beat that would be super easy to dance to, making it perfect for a beginners class, or a group who struggle to improvise.  I love that sax and sleigh bell mix !
8, Merry Christmas Everyone.  Get ready to shimmy.... Beloved in the UK, but not well known in the USA, this song is the ultimate feel good tune to shake your coin belt.  Just excuse the terribly awkward video...
​9, All I want for Christmas.  It wouldn't be a Christmas list without the ultimate sing along tune. This number is perfect for keeping a class full of belly dancers smiling during those boring footwork drills. I picked the Mariah Carey version over Fifth Harmony (hello 2104!), and the Love Actually videos.  No one can hit those notes like Mariah, but we can all dream !   Oh and who can see her costume turning into an amazing bedlah...
​10, Santa Claus is Coming to Town.  Personally I love the Bruce Springsteen version for my Christmas mix tape, but the Pentatonix version is much better for belly dance, with its unexpected layering to the well known tune.
11, Silent Night.  I have purposely lent towards silly pop songs so far, but you should also consider some of the wonderful covers done by Middle Eastern and fusion musicians.  I particularly like this version of Silent Night by Brothers of the Baladi.  It breaks my "non religious rule", so I personally would not use it in class, but you might feel that it would be well received by your students.
Brothers of the Baladi
12, Finally, consider searching for your favorite Christmas tune in Arabic.  There are plenty available, although most are just a simple translation and dont have any more belly dance soul than the original versions (zero!).  However, some of them, like this one, include the lyrics - which are great for those of us who are trying to improve our Arabic skills.
Thank you for reading this blog - wishing you and yours a very Happy Holidays !
Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and levels.  Both are available on Amazon.
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Sara's Books on Amazon
If you like this blog, go back to my blog page and check out some others like:

Teacher Knows Best
Dealing with Difficult Students
I'm Perfect for Belly Dance (and so are you)
Why Belly Dancers need to Walk the Line
Teaching Belly Dance: Making Corrections
Being Part of the Solution

Or check out my Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"


0 Comments

Belly Dance Shopping Mall !

11/26/2016

Updated and edited 10/25/18

This blog post started life as a Facebook post that got too big to handle !  I started listing my favorite small business' that serve the belly dance community and the list just grew and grew !  It feels like its time to set up a virtual shopping mall where we can find all our favorite stores in one place.  I have only included business' that I have used and products that I love.  My FB friends sent me lots of other recommendations, and once I have made a purchase with them, I will consider adding them here.

Check out Rebecca Wolf-Nail's murder, mystery belly dance novels.  She mixes humor with the drama of the belly dance world. 
Murder mystery books
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Saroyan Mastercrafts - home of the best finger cymbals.  From your first practice pair, to professional level zills, this web site has something for everyone.
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Saroyan

Dawn Devine has a huge range of wonderful books available on Amazon.  Check out the full range here:
Dawn Devine's books
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Princess Farhana has a wonderful range of books and DVD, all featuring her fantastic humor:  Her books are required reading for all belly dancers and her DVDs are well produced and full of tips, techniques and great practice ideas.
Princess Farhana's shop
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I love Paradise Vintage's cute little mini belly dancers.  I also have one of her sparklie Oum Kalthoum t-shirts!  For the holidays she has some really sweet elf/belly dancer tree orniments, that would make the perfect gift for your favorite belly dancer.

Paradise Vintage

I am honored to be one of the many amazing teachers who work with the Belly Dance Business Academy to provide on line lessons and workshops for those in the Belly Dance business.  Check out their full list of offerings.  I am planning to offer more courses in the new year, focusing on supporting belly dance teachers, but the organization covers all kinds of topics for belly dancers.  You can buy them one at a time or sign up to a monthly subscription.  Some of them are even free !
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Belly Dance Business Academy

There are three big on-line belly dance stores that I regularly shop,  Dahlal, Miss BellyDance and BellyDance.com.  Between them they cover almost all a belly dancer could desire !
Dahlal
Miss Belly Dance
Belly Dance .Com
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Bold Oracle do some really pretty costuming, but personally I am totally in love with all their hair flowers. Every one of them is a tiny peice of art !
Bold Oracle
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DVDs and videos ! - There are way too many to mention, but these are the ones that I have LOVED this year :
  • Full on with 3/4 shimmies by Mahin
  • Delicious Pauses by Rosa Noreen
  • Belly Dance Travel Steps by Autumn Ward
  • BellyDance Artistry by Tempest
Full on with 3/4 shimmies
Belly Dance Travel Steps
Delicious Pauses
Bellydance Artistry

For a stunningly beautiful gown with wonderful style, fit and elegance, look no further than Fearless Glamour !  Work with Saqra to pick out fabric, neckline, straps and skirt shape for your dream dress !
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Fearless Glamour

Finally ! - I would like to offer you a flick through my latest book "Becoming A Belly Dancer: From Student to Stage" written with Dawn Devine, Alisha Westerfeld and Poppy Maya.  Simply use the arrow to flick through a few of the 400 plus pages.  Becoming a Belly Dancer is the stagecraft handbook for belly dancers and  is available now on Amazon.  Check out the reviews - it makes the perfect gift for the belly dancers of all styles !

Sara's Books

Want more shopping ideas ?  Check out these blog posts on other pages:
Poppy Maya's Gift Guide for Belly Dancers
Belly Dance at Any Size 2016 Shopping Guide
If you like this blog, go back to my blog page and check out some others like:

Teacher Knows Best
Dealing with Difficult Students
I'm Perfect for Belly Dance (and so are you)


The History of Belly Dance - Where to Start
Why Belly Dancers need to Walk the Line
Teaching Belly Dance: Making Corrections
Being Part of the Solution
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Packed and Ready to Go !

7/6/2016
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While I might not be performing as much as I once did, I am still in the habit of keeping a case packed and ready to go at a moments notice.  Partly its a storage solution - why unpack and store my performance kit,when I can store it in the suitcase?  But it is also a matter of being ready to perform should the need arise.

So what is packed in my bag?  I start out by dividing it into two shoe boxes.  The first one will hold whatever costume I am planning to wear, and the second holds my "kits".  I use small purses, draw-string bags and even zip lock plastic bags to hold my kits - I have a small sewing kit, a "touch up" make up kit, a cords and chargers kit, a back up jewelry kit, a hair care kit and a toiletries kit.  By storing them all in a shoe box I can find them quickly, but also throw the odd item into the box as I am packing up and know I will be able to find it again later.

Where possible I try to put together my kits with spares and sample sizes.  My make up kit is really only for last minute touch ups, as I prefer to put on full stage make up at home.  As I run short of a product in my "at home" make up kit, I purchase a new one, move the almost empty one into my performance kit bag, and bin its predecessor, which is probably ready to expire. I keep jewelry that matches my costume in the box with that costume, but I also keep a back up set in my suitcase.  My back up jewelry kits are light weight, cheap and a mix of gold and silver.  Sometimes the jewelry that matches my costumes looks a little sparse, or a clasp might go as I am walking onto the stage.  This back up jewelry kit is there to fill in the gaps.

In addition I always have a neutral veil - that is, one that goes with all of my costumes.  In the world of belly dance we can count rainbows and animal prints as neutrals in addition to white,black, gold and silver.  I also pack a cover up, shoes and a second costume.  My second costume is usually a dress in a fabulous fabric - I want something that will pack up small and goes with my dance style, just in case someone else arrives with a similar costume to my favorite, I spill food down myself or bust a seam.  

I use the front pocket of my suitcase to store business cards, flyers, copies of my bio and spare CDs.  Those are all things that organizers ask for as you walk in the door, and I don't want to have to open up my suitcase in the lobby to find them !

After an event I remove my costume from the suitcase to air and refresh in the sunshine.  I might replace it with a different costume, or pack it back into the suitcase at the end of the day.  I open up my kit box, make sure everything is put away, and make a list to replace or repair.  Finally I label the music CDs so that I know what is on them, should I want to use them for an impromptu performance in the future.  While "Rakkasah 2016" might make sense to me now, in the future "Raks Musri, veil, opening 2.30 - Tabla solo, long shimmy, 3.30 - Sunshine, upbeat fun to join in, 3.30 - total 9.30 burnt as one track" is a gift to the future me, who is rushing to find a fun set under ten minutes.

Finally, one golden rule for me is that my suitcase should always be light enough for me to carry.  At my age, I can't afford to hurt myself taking my suitcase in and out of a venue.

I recently applied to perform at an all day event, but I missed out on getting a performances slot.  As I left the house to go and see the show I put my kit bag in the trunk "just in case".  Mid morning one of the performers rang the hostess to say she couldn't make it, and suddenly I had a performance slot !  I sat in the car and topped up my make up from my make up kit bag, added my "back up" jewelry, selected a CD from the pocket and got my chance to shine on stage.  Last minute performances like that have the added bonus of no pre-gig nerves!

So next time you are unpacking your bags after a gig, ask yourself, could you be using the opportunity to set up your bag for your next performance?

If you like this blog, go back to the blog page, for others you might like including: 

Teaching Belly Dance: Making Corrections
Being Part of the Solution
Assessing Your Performance Videos
​Or check out these Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
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My current favorite back up costume is this crazy pink and orange animal print costume by Poppy Maya.  The fabric is really forgiving of live in a suitcase, it packs up small and goes with every dance style !

​Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide and on-line via the Belly Dance Business Academy.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” is available on Amazon.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is available in 2016 .

 
Teaching Belly Dance on Amazon
More Info About Becoming a Belly Dancer
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Teaching Belly Dance: Making Corrections

6/14/2016
Updated 12/13/16
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​One of the hardest parts of teaching belly dance is knowing when and how to make corrections.  Too many corrections and the students will loose heart.  Too few, and your class may have an unrealistic view of how good they are.  The very best teachers are those who can mix critique with praise to the perfect balance and motivate each dancer to do their best.
​First lets start with a little truth: a correction is only worth mentioning, if the improvement can be made.  When faced with a total beginner, who has been asked to perform a figure 8, the teacher will see dozens of problems:
  • The feet may be turned in our out.
  • The knees may be turned in or out, or they may be locked or bent.
  • The hips may be too far forward, too far back, or favor one side or the other.
  • The figure 8 may be pushed too far out, or not out enough, or favor one side, or rising or falling too far.
  • The abs may be over engaged.
  • The chest may be too lifted or not lifted at all.
  • The shoulders may be rolled forward, or up or an uneven mix of the two. They might also be tense.
  • The arms may be moving too much, or not enough.  They may be held in all kinds of strange positions.
  • The wrists may be bent or over flexed.
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This list could go on and on, but if the teacher points each of these issues out to the beginner student, he or she will become overwhelmed and unable to make any improvements.  Instead the teacher must take her time and improve the dancers movements one step at a time.

Where to start ?  Firstly, make sure you have talked to each student about their existing fitness and injuries.  If they have a problem with any part of their body, be sure to encourage safe posture in that area first.  Cover posture at the start of every lesson, and focus your initial corrections on postural problems.  If their whole posture is off, and they don't complain of a particular issue, I tend to start with hips, back and shoulders.

Make it your mission in life to observe posture.  Watch people walk, stand, sit and dance.  Look for clues to pain, such as favoring one leg, or a dip of the shoulders.  Understand how our muscles and skeleton work together to make belly dance movements.  When observing your students, first look at them from a distance, watch their whole body movements.  Then walk closer to them, so you can see the mechanics in action and observe the root of problems.

I like to offer up personal corrections only when I am standing close enough that the other students can not hear.  Usually I will set up an exercise and then walk the room, observing and critiquing each dancer in turn. One correction per exercise is usually enough, unless their posture is particularly bad. I use the "critique sandwich" technique: that is I place my correction between two positive statements, such as:
"I see you have been practicing!  Watch that you don't roll onto the outside of your right foot, keep your weight centered and strong.  Your arms are looking much better this week."

This kind of correction is easy for the dancer to focus on and usually the correction can be made within a few moments. If you feel that your whole group has a problem, or that an issue needs to be addressed, wait until after the exercise and aim your critique at the whole group, like this:
"I noticed that lots of you were having trouble with the weight shift.  Make sure that you are passing your weight through your center, and only pushing out as far as you are comfortable.  If you feel like your weight is on the outer edge of your foot, or if you start to feel pressure in your ankles, shrink your hip move, so that it is putting less strain on your lower body."

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Returning to each dancer later in the lesson, its easy to see if the correction has been taken or needs to be re-enforced.  If an improvement can be seen, you can praise the student for taking the note, add the next correction, and then praise them again.  Thus they are reminded of a previous note, and how they improved.  Most students will make four or five corrections per lesson.

​​Once your student has perfect posture, then you can work on other improvements.  You may feel they need to focus on the size of their moves, or the flow.  Maybe you like to see perfect arms, or beautiful smiles from your students.  Where you focus your attention is up to you, and greatly impacts the kind of dancers you will produce.
​While you shouldn't under estimate your students, it is also worth remembering that some of them will be unable to perform some moves that you can do. Give your students achievable goals and cheer them on to the finish line.  Most belly dance students come to class for fun, and while corrections are not a whole lot of fun, improving is the best feeling in the world.  Make sure every correction is a step forward that they can take towards being a better dancer.

​Gradual, achievable corrections, given regularly and mixed in with praise, will help your students improve their dance skills and make your job as a belly dance teacher so much easie

Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide and on-line via the Belly Dance Business Academy.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” came out in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, was published last month.  Both are available on Amazon
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​If you like this blog, go back to the blog page, for others you might like including:
Holiday Music for Class
Dealing with Difficult Students
Teacher Knows Best
Are you Reading to Teach Belly Dance ?
Or check out these Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
​

Sara's Books on Amazon
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0 Comments

Being Part of the Solution

5/16/2016
Updated 4/22/19
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Lets start with a little bit of negativity for a change : belly dancers moan.  They moan about the lack of good teachers, the lack of good students, about gigs, no gigs, cheap gigs, they moan about changing rooms, running orders, costume prices, musicians and dirty floors.  I am pretty sure its not a belly dancer thing - everyone moans.  I bet the butcher, the baker and the candlestick maker all do just as much moaning.  Belly dancers want to see better belly dance, done to a professional level at professional venues for professional pay - but most don't know how to make that dream a reality.

We have some other issues in the belly dance "industry" that we struggle to deal with that increase the problem:
  • We have the "nice factor", where most of us believe that everyone should be allowed to belly dance and that all art is valuable.  No one wants the be the one who spoils the enjoyment of the majority of belly dancers who are hobbyists looking for something fun to do at the weekend.
  • We have a respect for our elders, even when they are not our betters.  In fact we tend to have a seesaw of skills in our industry - young dancers have the energy, then they develop skills..... as they hit their 30's and 40's their stagecraft improves but their energy drops.... and then the 50's and 60's is a time when the passion, storytelling and emotion is growing, but the technique and skills are fading.... Of course not everyone follows this seesaw, but many of us wish we could have the energy of a 19 year old and the wisdom of someone in their 70's.  Every "age" of belly dancer values a slightly different set of skills, and can become jealous of the skills they see in others. Older dancers, and those who have been in the industry for many years, set the tone and expected norms for younger dancers coming in.  If they have always eaten fried chicken in the changing rooms, new dancers are expected to accept grease stains on their costumes as a badge of honor.
  • We are a young industry.  While there have been belly dancers in the USA since the days of Vaudeville, it is still a "Clan" society.  Many dancers only mix with dancers within their own city or dance style and will exclude and undervalue "outsiders" from discussions.  If we want to raise the standards within the belly dance world, we have to pull everyone together and learn to work towards common aims.
  • We have a money loop.  There is very little money coming into our industry, but plenty moving around in the loop.  What is the money loop ? - Dancer A buys a lesson from Dancer B, who buys a costume from Dancer C, who pays to see a show by Dancer D, who goes to a workshop by Dancer E, who buys a CD from Dancer A - and so the same $20 travels around the business of belly dance and everyone gets what they want, as long as they don't want to get rich.

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​When I first heard about the Belly Dance Business Academy I saw a parallel in our aims.  The BDBA wants to provide tools for those in the business of belly dance to help them make the most of their skills and talents.  They want to take the best practice and share it with others, provide motivation, support and practical advice to help teachers, event organizers and touring artists.  I was hugely honored to be asked to join their teaching team.

The first class I produced for them is already live ' Event Hosts: Setting up expectations of changing room ethics" - its a free class and includes the flyer that I put up at events to explain the "rules" that I expect.  Something as simple as putting up changing room rules can help prevent event drama and elevate the standards of expected behavior in a community.

I see The Belly Dance Business Academy as the perfect way for me to reach a wider world of belly dancers and continue with my passion - helping others to enjoy belly dance !

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​And how do we solve these problems ?  I think that simply being aware of the problems would be a good start.  Somethings we have to accept, and others we can help to change.  No one wants to put a stop to the fun, but we are looking to the teachers, event organizers, workshop hosts and industry influencers to set a tone, promote positivity and encourage others to raise the standards of both behavior and performance.

One of the reasons that I wanted to write our book "Becoming a Belly Dancer", was that I was tired of hearing the same "moan" in one form or another.  The statement that starts with: "Someone should tell her...(not to wear socks on stage/that her underwear is showing/that her teacher is a fake/not to flirt with that drummer.....)

I kept asking myself why everyone thought it was someone else's job - and I guess the answer is that it is HARD to have those conversations with other dancers.  Its hard not to seem snobby, or interfering or having a hidden agenda.  Its hard to ask the older lady to remove her fried chicken from your changing area, or to lend an underskirt to the performer who shows too much.

"Becoming a Belly Dancer" has been written from a place of love, with a positive tone and an honest hope of helping to raise the industry to the point where there is more work for the professionals and more fun for everyone. I really hope that it will be a conversation starter for other belly dancers.

​Finally, here are a few ideas on how to be a positive force in the belly dance industry:
  • Be upbeat, friendly and positive in all that you do.  Smile at everyone, thank everyone, support everyone. Remember that there is a difference between being a nice person and being part of the "nice factor" problem. If you build a reputation as a person who is invested in the business of belly dance, others will take your suggestions about improvements as helpful hints.
  • When you wear a "leader" badge, do so with pride.  If you are a teacher, event host, blogger or touring artist, step up to that leadership role and don't be afraid to set up expectations and boundaries.
  • Mix with dancers who are outside your "clan".  Even if you can't attend the big events, follow the blogs, webinars, podcasts, buy books and magazines.  Make friends with strangers and be open to new ideas.
  • Promote others to help them make money.  Even if you can't go to an event or afford the class/DVD/book... promote it to your class mates and social media contacts.  If there is a fun show happening, ask around to see if any of your friends and family would like to join you.  You don't have to be a full time sales person for belly dance Inc - but be aware of the money loop and help support your local and not so local community.
  • Finally, every time you feel that moan coming on, be that in person or on social media, think about how you can turn it around into a positive call to action.  Not enough students in your class? - Can you do a promotion, post a cool photo, ask your students to hand out flyers ?   Whatever your problem, there is always a solution, we just have to look for them.

Thank you for listening to my "moan".  With a little positivity and a whole lot of working together we can enjoy watching our industry continue to go from strength to strength.
Full disclosure - since writing this blog post Sara has become a co-owner of the Belly Dance Business Academy. 

Belly Dance Business Academy
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If you like this blog, go back to the blog page, for others you might like including: 

  • 10 Simple Steps to Writing a Choreography

  • The History of Belly Dance - Where to Start

  • Preparing a Bio Ahead of Time​

​​Being Part of the Solution

I'm Perfect for Belly Dance (and so are you)

​
​Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 5,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide and on-line via the Belly Dance Business Academy.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara has written two books:  “Teaching Belly Dance” "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya.  Both are available through Amazon.




Amazon
Teaching Belly Dance
Becoming a Belly Dancer
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0 Comments

Feeling Naked

4/26/2016
Hello -

So hopefully that got your attention !

I've had this site for a few years now, but I have been finding it hard to write about writing.  Four or five times I have logged on, stated typing and then my post has turned into a dance post.  Somehow I think its easier to talk about my dance rather than my writing.  Maybe cos I have been dancing for 24 years or maybe its because my mission in life is to share dance with others.  

I know some of you have been following the course of my third book for the last two years...random Tweets and FB posts with number counts and other frustrations.   

Writing is actually hard.  No one tells you that.  People say "I'd like to write a book" and now I look at those people just the same as the people who say "I have a belly" when you tell them you belly dance.  There is only one way to write a book.  You have to sit in front of the keyboard and write stuff.  Lots of stuff.  Almost every day.  And spend every other hour thinking of stuff to write.  Then you get to read your stuff and its rubbish so you bin it and start again.  Every month you have to spell check. You may notice spelling is not my thing - oh and I grew up spelling in English and now write in American (You don't think its a big deal until you try and translate).   And spell checking and formatting is boring.  And you discover you start every sentence with And.  And you get to the point where you cant spell.  Or construct a sentence. Or anything.

So, what many people don't know is that I have a novel that I am sitting on.  Every year I read it, make some changes and then put it away to work on more dance writing.  My first few readers (friends and family) have told me to keep on it, that it is nearly ready, that it could be good.  But I'm not ready to share with the wider world.  Its not perfect.  It is too raw and too close to me.

When I first started dancing I was very self conscious.  I couldn't stand dancing in front of others, their eyes on me, watching the bounce of fat or the ugly dance moves.  I took a course in "Stripping without the stripping" from the famous Jo King.  It changed my life.  I understood what others see when they look at me.  How I move and flow.  I also saw how lucky I was to get to wear a costume, no matter how tiny.  Jo can ( and does) control a whole room of drunken men even when naked, she reads who is getting out of hand and who to focus on to get the others on her side.  And if she can do it, so can I.  When I dance I know that I own the room, that my movements are beautiful and that I am elegant and sensual and admired.

People who have read my books say that they hear it with my voice.  I guess that is no surprise.  While my novel is a work of fiction it is also a glance into my inner dreams, hopes and fantasies.  And yes it has rude bits.  I didn't write it for others to read.  I wrote it because the story kept getting bigger and bigger and I wanted to know the end.  I fell in love with the characters and I wanted to know more about them.  I wanted to follow them down the street and ask them why they did what they did, why they loved the unlovable or slept with the wrong people.  I wanted to watch them drink coffee.  But its not a book unless others read it.  Its not a story unless its told.  Just in the same way as I put a lot of emotion into my dancing, but its not a performance unless someone is watching.  And so at some point other people will have to read my novel.  Every now and then I remember this, pull my jumper up over my head and blush.
0 Comments

We All Need Stagecraft !

4/13/2016
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Recently we have been showing off the first proof of "Becoming a Belly Dancer: From Student to Stage", at the events we have been attending.  The feedback has been amazing.  People love the way it looks and that it covers EVERYTHING that the student needs to become a belly dancer.  

However one question really surprised me: "Is this for Tribal dancers too?"

Heck, YES !

Tribal dancers need stagecraft skills!  Everyone who steps onto a stage needs to understand the key issues that make a dancer a performer.  They need to have the technical skills, they need to have the mind of a performer, they need to look like a belly dancer, they need to match their dancing to their music and pick music that suits their audience/venue and they need to promote themselves to the wider world.  

Personally, I love to see a dancer of any style, who has thoughtfully put together a performance for my entertainment.  I want to know that they care enough about me (as an audience member), to have connected their music, dance skills and costume to create a cohesive look.

Relaxed, happy and confident performers are more enjoyable to watch - and that is our main aim in writing this book.  We want to give everyone the tools they need to be the very best performer that they can be.

You can dance any style of belly dance - Glam, Fusion or Ethnographic - and stagecraft skills will elevate your performance. Stage Stars come in all shapes, sizes, sexes and styles of belly dance, but they all shine under the spot light. Consider stagecraft as an essential element in elevating your performances!

f you like this blog keep scrolling down, or go back to my blog page, for others you might like including: 

 

I'm Perfect for Belly Dance, And so are You!
Dealing with Difficult Students
Assessing your Performance Videos


Or check out my Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
​
​Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s first book “Teaching Belly Dance” is available on Amazon.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is available in 2016 .
"Teaching Belly Dance" - on Amazon
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Why Belly Dancers have to Learn to Walk the Line!

3/25/2016
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And I don't mean "Walk the line", like as a metaphor for life.  Nope - you have to be able to walk from A to B by the shortest possible route.

This is one of my fundamentals of belly dance performance. You cant own a room until you can walk in a straight line. You think you already walk in a straight line? ok - Simple homework: go stand on the upper level of your local shopping mall, or at an airport or busy train station and track the route from entrance to destination.  For example, people arriving at an airport come in the entrance door where their Uber dropped them, and walk to the check in desk.  Their next route is check in desk to security.  Watch who walks in a straight line from entrance to check in and then check in to security?  Now watch who is bobbing and weaving and basically making room for those straight line walkers to get to their destination faster?

I'll give you a clue - men walk in straight lines.  Women bob and weave.

Of course there are exceptions.  Notice the female pilots and crew?  They walk in straight lines.  

​If you have ever tried to get a herd of small children through an airport you will probably have chosen a man (daddy) to lead the rabble and a lady (mummy) to sweep up the stragglers.  Is it human nature or social conditioning?  I don't know.  I do know that I watch a lot of crowds and the men walk straight and the women walk around them.

So what happens when women walk in straight lines?  Chaos!  Try it...

Enter a busy Mall and take a moment to pick your destination.  It can be anywhere, a shop front, the toilets, a food cart, but make sure you can see it.  Walk straight forward and keep your eye on the goal.  Don't move from your A to B route, don't slow down, don't side step.  If you feel rude and anti social, go back up a level and watch the other people again.  Do you think the other straight walkers feel rude and anti social?  or do they think its perfectly normal to walk in a straight line when you want to get somewhere?

If I walk through a crowd with my husband and he takes my arm, people get out of our way.  However, if we get split up I always get left behind.  I watch the crowds open ahead of him and close as he steps through.  In the mean time I am making little headway, bobbing and weaving, saying "sorry" and waiting for a space to move forward.  After a block he turns back and I am "lost", half a block behind him.

Let me tell you what happens when I walk in a straight line.  People (men mostly) bump into me.  I am not being predictable.  I am not acting in a socially acceptable way.  They assume I will side step and then are confused when I don't.  Some of them get angry, or glare, most just look confused.  

How do I feel when I walk in straight lines?  Once I got over feeling rude, I started to feel powerful!  I put my shoulders back, lift my head and glide through space while those around me adjust their stride to avoid me.  Suddenly I am in control - not just able to get from A to B, but to get there without adjusting my route to please others.  I'm walking like an airline pilot !

And now lets connect that action with belly dance.  When I dance into a busy restaurant I need to own some space.  Maybe I want 5 foot Square or 50 foot, but I want some space to present my performance.  I also want some attention.  People may be eating, chatting, looking at their phones, but I want them to stop doing that and look at me.  One of the first things I am going to do is to walk around the space I want, with my head held high and my shoulders back.  This is a cue to the audience to be quiet, shift their feet out of my space, pick up their bags, slide their chairs back and look at me.  If I come onto the stage area and look apologetic for being in my space, the audience will look, and then turn away.  I can't entertain them until I have their attention, and I cant get their attention without owning my space.

So homework for this weekend - practice walking that line, owning some space, being assertive, confident and self assured.  Think of every journey as belly dance practice and every venue as a stage!

I'm looking forward to hearing about your A to B adventures in the comments below - Sara x



​
If you like this blog keep scrolling down, or go back to my blog page, for others you might like including: 
​"I'm Perfect for Belly Dance, And so are You!"
"Assessing your Performance Videos"
"Picking out a Troupe Costume"
and "Why Travelling is one of the Best Ways to Improve your Belly Dance"


Or check out my Hub Blogs including:

"Your First Belly Dance Workshop"
The Top Ten Belly Dance Tunes for Performance"
"Finding a Great Belly Dance Teacher"
​
​Sara Shrapnell is a belly dance writer, teacher and performer.

She has taught more than 4,000 belly dance classes, both in the UK and US.  She now teaches in Pleasanton, Dublin and Livermore in the SF bay area, as well as workshops world wide.  Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


Sara’s has published two books on belly dance. “Teaching Belly Dance” is the only book you need to set up, plan, present and enjoy your belly dance classes.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook for belly dancers of all styles and at all levels .

Sara's Books on Amazon
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    Author

    Sara Shrapnell is a belly dance writer, teacher and performer.

    She has taught more than 5,000 belly dance classes, both in the UK and US.  She has closed down her classes in California and moved to Arizon, where she hopes to teach in Queen Creek and San Tan Valley once studios open up after Covid.  She teaches on-line for the Belly Dance Business Academy, and offers workshops world wide.   Her classes are known for their humor, detailed breakdowns and cultural context.    Students who have studied with Sara have gone on to teach and perform in all styles of belly dance and many have made their living through performance or teaching.


    Sara’s first book “Teaching Belly Dance” was published in 2014.  Her second "Becoming a Belly Dancer: From Student to Stage", co- written with Dawn Devine, Alisha Westerfeld and Poppy Maya, is a stagecraft handbook.  Both are available on Amazon.

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